Weekend Edition – Planting the Seeds of a Writing Life Plus Good Reads and Writing Tips

LM Milford:

What a great post. Some very positive advice in here -something we can all understand!

Originally posted on Live to Write - Write to Live:

Planting the Seeds of a Writing Life

seedlingThere is no short cut to creating a writing life.

There is no 3-step process, no silver bullet, no magic spell.

You plant the seeds. You water. You wait.

Sometimes you say nice things, nurturing words of encouragement and inspiration.

Sometimes you slip up, and mutter dark, sharp things under your breath. Cutting things that slice carelessly into tender green shoots.

But somehow, the seedling survives.

You say you’re sorry. You add some nutrients to the soil. You let some sunshine in.

You keep writing.

Some days, you think you know how this writing life will turn out. You feel like you have a plan. A purpose. A path. It all makes sense, and you work away – pruning and fertilizing – secure in your sense of certainty.

But then, one day, a new blossom appears, and you don’t recognize it. It doesn’t…

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In the silos of your mind

At the moment it’s fair to say I have a lot on my plate. I have a full time job, I’m studying for a diploma, writing and keeping up with family and friends. The latter group have very much fallen by the wayside but hopefully they will forgive me in the summer when it quietens down a bit. But the point to make is that my mind is a very cluttered place at the moment. This was brought home rather harshly when I recently wasted a day in the library.

I’d planned a successful day, so I thought. I’d highlighted some books I wanted to look at; although it was a bit early to start on the assignment I had, I wanted to make a start. When you’re studying outside work, every spare minute becomes precious. But I decided in my infinite wisdom to prepare for my study session by listening to a podcast about writing. Not good. The podcast was great but it meant I arrived at the library buzzing with ideas…about writing. My brain was not ready for academic reading or writing. So I couldn’t make sense of what I was doing or, I should say, trying to do.

What I’ve established is that I need several frames of mind. I can slip into work mode quite easily, but clearly the brain clutter means that I need more preparation for study and for writing to get me into the right mindset.

So, how do I do that? For writing it’s fairly easy. Let my brain wander, think about what I’m going to write, listen to a writing podcast and I’m away. Study is harder as it requires a different, more difficult, type of focus. Writing is much easier when you’re making it up! Academic reading and writing take a lot of brain work and almost need a meditative state where you block everything else out. I can do this very effectively with writing but studying is much harder.

So the lesson to be learned is that, like a child putting away its toys, I have to put the thoughts away in their individual silos. Mixing up the bits just doesn’t work and it affects my productivity. To get the most out of the limited studying time I have, my focus needs to be on full beam as soon as the session starts.

This means fighting my instinct to try to do everything at once and instead set myself priorities. On a study day, I do nothing other than study. Hopefully that will stop the pieces of the puzzle getting mixed up and will mean I can make the most of the time I have.

Let Your Mind Push Through That Writing Brick Wall

LM Milford:

Great post from Rebecca. Not just about ‘bum on seat’. Taking a break to ponder can be the solution!

Originally posted on Rebecca Bradley:

Following the release of Shallow Waters in December last year I have been informing readers that I hope to have DI Hannah Robbins 2 out in the summer this year as it is already partly written. This was a perfectly fine deadline.

That was until I hit a complete brick wall…

brickwall-167073_640

I am working in Scrivener so that I can move chapters around at will. I have a full synopsis and know where the story is going and was happily working away on it, using the ability to move chapters around, to allow me to write part of one person’s timeline rather than writing in chronological order. It was working well and I was enjoying it.

But then I started to feel it was coming unstuck….

I had too much freedom. How was I going to piece this damn puzzle back together again? I kept looking at my synopsis, looking…

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Tying up your timeline

I recently read a very good blog post by Mari Hannah in which she talked about the benefits of sticking to your book’s timeline.

I didn’t have one when I wrote my first book – in fact, I didn’t even know what a timeline was back then – and now that I’m into the final stage of editing I’m really wishing that I’d known this sooner.

I’m fortunate that I now have my novel on Scrivener so I have a sort of timeline in that I have a list of scenes but that isn’t quite what Mari meant.

What she’s getting at is much deeper than just knowing the order that your story runs in, it’s knowing exactly what the characters are doing and when. What I’ve found to be important is knowing the specific timescale, as in the progression of days, and also what the characters are doing when they’re not on stage. For instance, having a character go missing, being reported to the police as missing and being found dead, without working out how much time elapsed between the three events has left me in a bit of a pickle. When I started to add in new scenes as part of the edit, it was difficult to know the right order. A timeline would have saved me from having check facts time and time again during the final stages of editing.

So, once again I’m realising that a sophisticated writer has a process. They don’t just haphazardly throw some words down on a page and hope for the best. Instead they use a tried and tested system of planning.

Mari has written lots of books and clearly her way works. Her Kate Daniels novels are brilliantly plotted with twists and turns and just the right amount of tension to keep you gripped. That doesn’t happen by accident. Yes, some of it comes with experience, but it’s clear that a written timeline helps to not only keep things in order but also to make sure you keep the plot moving along at the right pace.

Either way, it’s definitely something you can and should learn. I’m learning it the hard way, so take a tip from me. Get that timeline sorted before you start writing. It may change once you start writing, but initially you should spend some quality time on it.

Yes, I know you’re desperate to get started and the words simply want to burst out of your pen onto the page but stop and take a deep breath. Think through your story, analyse it, really scrutinise it. Write it all down on paper, move the bits around, do whatever works until you know what order your story goes in.

Done that? Right, if you’re sitting comfortably, then begin.

What doesn’t kill you makes you stronger – Mel Sherratt #FollowTheLeader

LM Milford:

Another reblog – but this is how life can be turned into fantastic fiction. Enjoy!

Originally posted on SJI Holliday: Author:

ftl

Mel Sherratt‘s latest novel – the much anticipated follow up to Taunting the Dead – is a corker. Not just a perfectly executed, entertaining read for crime fans, it covers a topic that many people will relate to, but not many have the courage to talk about.

Bullying.

I’d like to hope that some people never experience bullying of any kind, whether it be at school, in the workplace, online, or even from family and friends. If you’re one of those people, you’re one of the lucky ones.

So here’s a very brave and personal post; Mel’s story, told in typical Mel fashion. From the heart.

What doesn’t kill you makes you stronger

by Mel Sherratt

I’m often known for wearing my heart on my sleeve. And sadly I’ll never have a poker-face as my emotions are written all over it. But one thing I do have is…

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My 2015 roadmap

I’m not a fan of new year resolutions. Everyone starts the year full of great intentions, over-stretching themselves as if they’re trying to prove something. And I’m no different. I’m a very driven person, meaning that once I set my sights on something I pursue it to the very end.

However, this year I’m trying something different. I got a very useful document from Charlie at the Urban Writers’ Retreat, called “The Roadmap: 2015 writing planner”, which you use to set your goals for the coming year.

It starts with an assessment of your successes from last year. I always struggle with this kind of stuff, because I find it difficult to define success, but this time I had several to report. The biggest one was the positive feedback I received on my book from a structural edit. When a professional editor uses the word ‘engrossing’, then you’ve got to pay attention. That book is now into the final stage of self-editing. Last year I also entered short stories into two competitions and came up with a strong plan for another book.

So with the 2014 review complete, the planner guides you towards what you want to get out of the coming year. Obviously, for me the big one is finishing off my first book entirely and getting it published. Also of a high priority is developing an editing strategy to make the process less like pulling teeth. This involves researching editing methods and then experimenting with them on the novella I wrote in 2013. I’m hoping that because it’s shorter and simpler, the editing experience will be easier.

The planner has a section for setting out how you’re going to go about achieving the goals you’ve set. My plans haven’t been fully set out yet. The first half of the year is already mostly tied up with non-writing stuff, but I’ll be picking off the final bits of editing and such like as I go along. From August onwards, when my time becomes entirely my own, then I’ll start work on the next book.

I have long term plans, which I won’t go into now, but this year will go some way to getting me started along that path. At the moment it’s all about the baby steps. I’ve learned a lot in recent years. I know more about writing but I also know more about myself. I know that I have to take things one step at a time to protect myself and my health.

This year is the first step on a longer path, but when I fill in the 2016 Roadmap I’d like to be reporting that my key success is that I’m a published author. That’s my priority and I’m excited about it.

Can Crime Fiction Work Without A Law Enforcement Protagonist?

LM Milford:

Great interview with two great writers – what do you think of an amateur sleuth taking on the job of investigator?

Originally posted on Rebecca Bradley:

Earlier this week I interviewed crime writer Janet O’Kane for the bite-sized interview pieces I am doing on my YouTube channel. The point of the bite-sized interviews are to only spend ten minutes (this one goes slightly over at eleven minutes) with any author and to discuss one specific topic. You can sign up to the channel Here.

With Janet, we discussed whether a crime novel can function without a detective as a protagonist. Janet’s protagonist is a GP. So we discussed where she came up with the idea, the level of scope her GP, Zoe Moreland has and how this works within the crime genre. You can find Janet on Twitter and Amazon. I hope you enjoy the interview.

What are your thoughts on crime novels with protagonists that aren’t in the law enforcement agencies? Can they work?

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